Textually analysing the newly discovered score of Tararira film (Benjamin Fondane, 1936, Buenos Aires) which includes arrangements based on Ravels Bolero and Yiddish folk music, relative to this and comparatively to films such as Entracte (scored by Satie), which Benjamin Fondane brought to Argentina (or at least spoke about to presumably provide context for his work) when giving talks and endeavouring to have his film funded. This analysis should draw on scholarship from section about other film contemporaries and Fondanes theories in section. The fact that he seems to have written a libretto for Bolero and had music arranged for lute throws up a number of potential complications. The snippet of Albniz score looks like a piano score in A major to me so please check that this arrangement is actually meant for lute. This waa also used in '' Tararira'': https://youtu.be/qVnLjNGcYAg
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