“How Do You Not Understand a Word?” (2018), what do the authors argue about the role of radio and other broadcast media in survival horror?

In the article “How Do You Not Understand a Word?” (2018), what do the authors argue about the role of radio and other broadcast media in survival horror? What is the function of radio and broadcast media in survival horror and what is this genre’s critique on the state-sponsored communication in times of crisis? Use examples from the text. What do the authors argue about Pontypool and the way in which the film plays with the idea of communication in the survival horror film?

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