Consider the questions below. Answer TWO from the first section and then choose THREE from the seond section to answer. So, answer FIVE total. 20 points per question, 100 points total. Write answers in essay format. Please write all answers in your own words. Plagiarized responses will receive no credit.

INSTRUCTIONS: Consider the questions below. Answer TWO from the first section and then choose THREE from the seond section to answer. So, answer FIVE total. 20 points per question, 100 points total. Write answers in essay format. Please write all answers in your own words. Plagiarized responses will receive no credit. Give me concise, complete answers, about 100-200 words per question.

SECTION ONE: Readings

1. Consider George Catlin’s excerpt from his book “Letters and Notes.” How does Catlin view Native Americans? What attributes does he project on to them? How does this relate to the idea of the “vanishing race?”; 2. Read the text on Confederate monuments. What is your opinion on them? Should they be left alone? Destroyed? Moved? Why?; 3. What does James Whistler have to say about the role of the artist in society? What does he mean when he advocats an “art for art’s sake” philosophy?

SECTION TWO: course concepts/ themes

1. Consider Thomas Cole’s “Course of Empire” series. What do these paintings tell us about Cole’s view of human history as relating to the natural world?; 2. What is the collodion/ albumen process? How did it advace photography?; 3. Consider Eastman Johnson’s “Negro Life in the South.” Discuss how this image–and others like it–depict slavery in America.; 4. Consider post-Civil War images of race and slavery. Cite one example of how an artist of this era depicts race in America.; 5. What are some of the “new directions” American artists take during the Gilded Age? Cite one specific example.; 6. Why did the American art world break into splinter groups during the Gilded Age? Cite one such “splinter group.” 7. Cite at least one new technology developed in America during the Gilded Age that significantly impacted either the making of images or the construction of new buildings.

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