If you are able to get the text the text is Media Analysis Techniques 6th Edition by Arthur Berger.
1. What are the oppositions to be found in Murder on the Orient Express? How do they generate meaning in the text?
2. Which characterization of Poirot seems more reasonablePoirot as semiotician or Poirot as revolutionary? Justify your answer.
3. Why are there so few classical detectives and so many police procedurals on television?
4. What gratifications do violent crime shows provide viewers that other kinds of shows dont provide? What functions do these police procedural programs have for viewers and for society?
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